Filmkonservierung und -restaurierung

Kursunterlagen

• Die Erhaltung von Filmen, PDF, 50 KB
• Träger, Formate, Verfahren, PDF, 2,6 MB
• Tabelle der Träger (Kodak), PDF, 30 KB
• Einführung zur analogen Filmkonservierung, PDF, 2,1 MB
• Analoge und/oder digitale Filmrestaurierung, PDF, 3,8 MB
• Lagerkonzepte für gemischte audiovisuelle Sammlungen in der Praxis, PDF, 1,4 MB
• Ein- und Auslagerung der Elemente, PDF, 66 KB
• On Audio-Visual File Formats, PDF, 1,9 MB
• Before Restoration, PDF, 1,5 MB
• LTO, PDF, 49 KB
• The Bright Side of Data Migration!, PDF, 1,2 MB

Übungen

• Benützte FFmpeg-Befehle
• Benützte Dateien (TIFF, 2K, 16 bit), ZIP, 1.06 GB, MD5 = c2fdc0fc9290ebaa4757d69fadf3f38c
• FFmpeg Cookbook for Archivists, AV Preservation by reto.ch, seit 2013
• ffmprovisr: Repository of useful FFmpeg command lines for archivists, AMIA Open Source, seit 2015
• Leandro Moreira: Learn FFmpeg libav the Hard Way, seit 2017

Bibliografie

Unabdingbare Ressourcen

• Digitale Archivierung von Film und Video: Grundlagen und Orientierung, Version 1.1, Memoriav, Bern 2017
• [Mick Newnham et al.]: Technical Preservation Handbook, National Film and Sound Archive of Australia, Canberra [s.d.]
• The Film Preservation Guide. The Basics for Archives, Libraries, and Museums. National Film Preservation Foundation, San Francisco CA 2004
• John W. C. Van Bogart: Magnetic Tape Storage and Handling. A Guide for Libraries and Archives. Commission on Preservation and Access, Washington DC; National Media Laboratory, St. Paul MN June 1995
• Videotape Identification and Assessment Guide. Texas Commission on the Arts, Austin TX 2004
• Audio-Visual Artifact Atlas. [Seit 2011]
• Fred R. Byers: Care and Handling of CDs and DVDs. A Guide for Librarians and Archivists. National Institute of Standards and Technology, Gaithersburg MD 2003
• Peter Z. Adelstein: IPI Media Storage Quick Reference. 2^nd Edition. Image Permanence Institute, Rochester NY 2009
• Dew Point Calculator. Image Permanence Institute, Rochester NY [s.a.]
• User’s Guide for A-D Strips. Film Base Deterioration Monitors. Image Permanence Institute, Rochester NY 2001
• James M. Reilly: Storage Guide for Color Photographic Materials. Image Permanence Institute, Rochester NY 1998
• James M. Reilly: IPI Storage Guide for Acetate Film. Image Permanence Institute, Rochester NY 1993

Identifikation von Filmen

• Brian R. Pritchard: Identifying 16 mm Films. Staffs 2013
• Brian R. Pritchard: Identifying 35 mm Films. Staffs 2011
• Kodak Edge Codes by Code, PDF, 327 KB
• Kodak and Dupont Edge Codes by Year, PDF, 97 KB
• Kodak Edge Codes for 8 mm and 16 mm, PDF, 33 KB
• 16 mm and 8 mm Camera Identification, PDF, 319 KB

Nützliche Ressourcen

• Reto Kromer: On the Bright Side of Data Migrations. In: IASA Journal, n. 49 (September 2018), IASA, p. 14–18
• Reto Kromer: One File Format for Film and Video Archiving? In: Journal of Film Preservation, n. 96 (April 2017), FIAF, Brussels, Belgium, p. 41–45
• Diana Weynand and Vance Piccin with Marcus Weise: How Video Works. From Broadcast to the Cloud. Third Edition. Focal Press, New York NY and Oxon 2016
• Blain Brown: The Filmmaker’s Guide to Digital Imaging. For Cinematographers, Digital Imaging Technicians and Camera Assistants, Focal Press, New York NY and Oxon 2015
• Paul Read: A Short History of Cinema Film Post-Production (1896–2006). In: Joachim Polzer (Hrsg.): Zur Geschichte des Filmkopierwerks (= «Weltwunder der Kinematographie. Beiträge zu einer Kulturgeschichte der Filmtechnik», 8). 2006
• Dominic Case: Film Technology in Post Production. Second Edition. Focal Press, Oxford 2001
  [Dominic Case: Filmtechnik in der Postproduktion. Das Kompendium. Zweitausendeins, Frankfurt a.M. 2004]
• Long-Term Management and Storage of Digital Motion Picture Materials. A Digital Motion Picture Framework Project Case Study, Academy of Motion Picture Arts and Siences, Hollywood CA 2010
• The Digital Dilemma 2. Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual Archives, Academy of Motion Picture Arts and Sciences, Hollywood CA 2012
• The Digital Dilemma. Strategic Issues in Archiving and Accessing Digital Motion Picture Materials, Academy of Motion Picture Arts and Sciences, Hollywood CA 2007
• Sam Kula: Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records. Lanham, MD: Scarecrow Press, 2003.
• Ralph N. Sargent: Preserving the Moving Image. Corporation for Public Broadcasting and National Endowment for the Arts, Washington DC [1974].
• Herbert Volkmann: Film Preservation. A Report of the Preservation Committee of the International Federation on Film Archives. National Film Archive, London 1965.
• Ted Ling: Solid, Safe, Secure. Building Archives Repositories in Australia, National Archives of Australia, Canberra [1998].

Software

FFmpeg

«A complete, cross-platform solution to record, convert and stream audio and video.»
Website: ffmpeg.org

AEO-Light

«Soundtrack extraction from film scans»
Website: usc-imi.github.io/aeo-light/

VLC

Dieser Videoplayer sollte auf jedem Computer installiert sein!
Website: www.videolan.org/vlc/

QCTools

«Quality Control Tools for Video Preservation»
Website: bavc.org/preserve-media/preservation-tools

MediaInfo

Lesen der Metadaten
Website: mediaarea.net/en/MediaInfo

MediaConch

Prüfen der Dateiformate einer Sammlung
Website: mediaarea.net/MediaConch

2023-05-26