Conservation and Restoration of Moving Images

An der Hochschule der Künste Bern am 1. und 3. Dezember 2021.

Kursunterlagen

Organisation, PDF, 65 KB
Analoger Film: Träger, Formate, Verfahren, PDF, 2,5 MB
Analoge (und hybride) Labortechnik, PDF, 249 KB
Lagerkonzepte für gemischte audiovisuelle Sammlungen in der Praxis, PDF, 2,7 MB
Filmrestaurierung: analog und/oder digital
Von der hybriden Filmproduktion zum digitalen Kino, PDF, 78 KB
Digitalisierung von Filmen, PDF, 2,5 MB
Audiovisuelle Dateiformate, PDF, 3,7 MB

Bibliografie

Unabdingbare Ressourcen

[Mick Newnham et al.]: Technical Preservation Handbook, National Film and Sound Archive of Australia, Canberra [s.d.]
The Film Preservation Guide. The Basics for Archives, Libraries, and Museums. National Film Preservation Foundation, San Francisco CA 2004
Peter Z. Adelstein: IPI Media Storage Quick Reference. 2^nd Edition. Image Permanence Institute, Rochester NY 2009
Dew Point Calculator. Image Permanence Institute, Rochester NY [s.a.]
User’s Guide for A-D Strips. Film Base Deterioration Monitors. Image Permanence Institute, Rochester NY 2001
James M. Reilly: Storage Guide for Color Photographic Materials. Image Permanence Institute, Rochester NY 1998
James M. Reilly: IPI Storage Guide for Acetate Film. Image Permanence Institute, Rochester NY 1993

Identifikation von Filmen

Brian R. Pritchard: Identifying 35 mm Films. Staffs 2011
Brian R. Pritchard: Identifying 16 mm Films. Staffs 2013
Brian R. Pritchard: Identifying Motion Picture Film Sound Tracks. Staffs 2021
Kodak Edge Codes by Code, PDF, 327 KB
Kodak and Dupont Edge Codes by Year, PDF, 97 KB
Kodak Edge Codes for 8 mm and 16 mm, PDF, 33 KB
16 mm and 8 mm Camera Identification, PDF, 319 KB

Nützliche Ressourcen

Paul Read: A Short History of Cinema Film Post-Production (1896–2006). In: Joachim Polzer (Hrsg.): Zur Geschichte des Filmkopierwerks (= «Weltwunder der Kinematographie. Beiträge zu einer Kulturgeschichte der Filmtechnik», 8). 2006
Dominic Case: Film Technology in Post Production. Second Edition. Focal Press, Oxford 2001
[Dominic Case: Filmtechnik in der Postproduktion. Das Kompendium. Zweitausendeins, Frankfurt a. M. 2004]
Long-Term Management and Storage of Digital Motion Picture Materials. A Digital Motion Picture Framework Project Case Study, Academy of Motion Picture Arts and Siences, Hollywood CA 2010
The Digital Dilemma 2. Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual Archives, Academy of Motion Picture Arts and Sciences, Hollywood CA 2012
The Digital Dilemma. Strategic Issues in Archiving and Accessing Digital Motion Picture Materials, Academy of Motion Picture Arts and Sciences, Hollywood CA 2007
Sam Kula: Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records. Lanham, MD: Scarecrow Press, 2003.
Ralph N. Sargent: Preserving the Moving Image. Corporation for Public Broadcasting and National Endowment for the Arts, Washington DC [1974].
Herbert Volkmann: Film Preservation. A Report of the Preservation Committee of the International Federation on Film Archives. National Film Archive, London 1965. [PDF, 18,6 MB]
Ted Ling: Solid, Safe, Secure. Building Archives Repositories in Australia, National Archives of Australia, Canberra [1998].

2023-11-14