Bibliografia

Questa non è una bibliografia ragionata. L’elenco comprende alcune delle opere di indiscusso valore che furono essenziali per il mio persorso personale, qui nell’ordine cronologico di pubblicazione. E sono quasi certo che ho saltato l’una o l’altra per motivi di tempo durante la presentazione a Viterbo.

Materialità

• Josef Maria Eder: Rezepte, Tabellen und Arbeitsvorschriften für Photographie und Reproduktionstechnik, Knapp, Halle 1949
• Gert Koshofer: Color. Die Farben des Films, Spiess, Berlin 1988
• Charles A. Poynton: A Technical Introduction to Digital Video, John Wiley & Sons, New York 1996
• Stephen G. Anchell, Bill Troop: The Film Developing Cookbook, Focal Press, Boston 1998
• Dominic Case: Film Technology in Post Production. Second Edition, Focal Press, Oxford 2001
• Paul Read: «A Short History of Cinema Film Post-Production», in Joachim Polzer (ed.): Zur Geschichte des Kopierwerks (= Weltwunder der Kinematographie, n. 8), 2006, pp. 41–132
• David Cleveland, Brian Pritchard: How Films Were Made and Shown. Some aspects of the technical side of motion picture film 1895–2015, David Cleveland, Manningtree 2015
• Robert L. Shanebrook: Making Kodak Film. Expanded Second Edition, Robert L. Shanebrook, Rochester NY 2016
• Giovanna Fossati: From Grain to Pixel. The Archival Life of Film in Transition. Third Revised Edition, Amsterdam University Press, Amsterdam 2018 [open access]

Conservazione

• Herbert Volkmann (ed.): Film Preservation. A Report of the Preservation Committee of the International Federation of Film Archives, National Film Archive (per la FIAF), London 1965 [PDF]
• Ted Ling: Solid, Safe, Secure. Building Archives Repositories in Australia, National Archives of Australia, Canberra [1998]
• The Book of Film Care. Second Edition, Eastman Kodak Company, Rochester NY 1992
• John S. Mills, Raymond White: The Organic Chemistry of Museum Objects. Second edition, Butteworth-Heinemann, Oxford 1994
• Gamma Group (ed.): The Vinegar Syndrome. Prevention, Remedies and the Use of New Technologies. An Handbook, Association des Cinémathèques Européennes, [Bruxelles]; Gamma Group, [Bologna 2000]
• Johanna Wellheiser, Jude Scott: An Ounce of Preservation. Integrated Disaster Planning for Archives, Libraries, and Record Centres. Second Edition, Scarecrow Press, Laham MD, 2002
• Sam Kula: Appraising Moving Images. Assessing the Archival and Monetary Value of Film and Video Records, Scarecrow Press, Lanham MD 2003
• Manfred Hegger et al.: Atlante dei Materiali, UTET, Torino 2006 [si tratta della traduzione di Baustoff Altas, uscito l’anno prima in Germania]
• Joo-Hwa Bay, Boon-Lay Ong (ed.): Tropical Sustainable Architecture. Social and Environmental Dimensions, Elsevier, Oxford 2006
• Peter Z. Adelstein: IPI Media Storage Quick Reference. 2^nd Edition, Image Permanence Institute, Rochester NY 2009 [questo volume, così come varie altre utilissime risorse dell’IPI, possono essere scaricate gratuitamente dal loro sito]
• IPI’s Guide to Sustainable Preservation Practices for Managing Storage Environments, Image Permanence Institute, Rochester NY 2012 [questo volume, così come varie altre utilissime risorse dell’IPI, possono essere scaricate gratuitamente dal loro sito]

Restauro

• Anil C. Kokaram: Motion Picture Restoration. Digital Algorithms for Artefact Suppression in Degraded Motion Picture Film and Video, Springer-Verlag, London 1998
• Paul Read, Mark-Paul Meyer: Restoration of Motion Picture Film, Butterworth-Heinemann, Oxford 2000
• Gamma Group (ed.): L’utilizzo delle nuove tecnologie nel restauro cinematografico: problemi tecnici e etici, Association des Cinémathèques Européennes, [Bruxelles]; Gamma Group, [Bologna s.d.]
• Horst Zander: PC-gestützte Restaurierung von Audiosignalen, Schiele & Schön, Berlin 2009
• Sonia Campanini: Film Sound in Preservation and Presentation, tesi di dottorato di ricerca presentata in cotutela presso l’Università degli Studi di Udine e l’Universiteit van Amsterdam nel 2014

2025-03-02