Filmkonservierung und -restaurierung

An der Hochschule der Künste Bern vom 10. bis zum 14. Dezember 2018 und am 7. Januar 2019.

Kursunterlagen

Die Erhaltung von Filmen, PDF, 50 KB
Träger, Formate, Verfahren, PDF, 2,6 MB
Tabelle der Träger (Kodak), PDF, 30 KB
Einführung zur analogen Filmkonservierung, PDF, 2,1 MB
Analoge und/oder digitale Filmrestaurierung, PDF, 3,8 MB
Lagerkonzepte für gemischte audiovisuelle Sammlungen in der Praxis, PDF, 1,4 MB
Ein- und Auslagerung der Elemente, PDF, 66 KB
On Audio-Visual File Formats, PDF, 1,9 MB
Before Restoration, PDF, 1,5 MB
LTO, PDF, 49 KB
The Bright Side of Data Migration!, PDF, 1,2 MB

Übungen

Benützte FFmpeg-Befehle
Benützte Dateien (TIFF, 2K, 16 bit), ZIP, 1.06 GB, MD5 = c2fdc0fc9290ebaa4757d69fadf3f38c
FFmpeg Cookbook for Archivists, AV Preservation by reto.ch, seit 2013
ffmprovisr: Repository of useful FFmpeg command lines for archivists, AMIA Open Source, seit 2015
Leandro Moreira: Learn FFmpeg libav the Hard Way, seit 2017

Bibliografie

Unabdingbare Ressourcen

Digitale Archivierung von Film und Video: Grundlagen und Orientierung, Version 1.1, Memoriav, Bern 2017
[Mick Newnham et al.]: Technical Preservation Handbook, National Film and Sound Archive of Australia, Canberra [s.d.]
The Film Preservation Guide. The Basics for Archives, Libraries, and Museums. National Film Preservation Foundation, San Francisco CA 2004
John W. C. Van Bogart: Magnetic Tape Storage and Handling. A Guide for Libraries and Archives. Commission on Preservation and Access, Washington DC; National Media Laboratory, St. Paul MN June 1995
Videotape Identification and Assessment Guide. Texas Commission on the Arts, Austin TX 2004
Audio-Visual Artifact Atlas. [Seit 2011]
Fred R. Byers: Care and Handling of CDs and DVDs. A Guide for Librarians and Archivists. National Institute of Standards and Technology, Gaithersburg MD 2003
Peter Z. Adelstein: IPI Media Storage Quick Reference. 2^nd Edition. Image Permanence Institute, Rochester NY 2009
Dew Point Calculator. Image Permanence Institute, Rochester NY [s.a.]
User’s Guide for A-D Strips. Film Base Deterioration Monitors. Image Permanence Institute, Rochester NY 2001
James M. Reilly: Storage Guide for Color Photographic Materials. Image Permanence Institute, Rochester NY 1998
James M. Reilly: IPI Storage Guide for Acetate Film. Image Permanence Institute, Rochester NY 1993

Identifikation von Filmen

Brian R. Pritchard: Identifying 16 mm Films. Staffs 2013
Brian R. Pritchard: Identifying 35 mm Films. Staffs 2011
Kodak Edge Codes by Code, PDF, 327 KB
Kodak and Dupont Edge Codes by Year, PDF, 97 KB
Kodak Edge Codes for 8 mm and 16 mm, PDF, 33 KB
16 mm and 8 mm Camera Identification, PDF, 319 KB

Nützliche Ressourcen

Reto Kromer: On the Bright Side of Data Migrations. In: IASA Journal, n. 49 (September 2018), IASA, p. 14–18
Reto Kromer: One File Format for Film and Video Archiving? In: Journal of Film Preservation, n. 96 (April 2017), FIAF, Brussels, Belgium, p. 41–45
Diana Weynand and Vance Piccin with Marcus Weise: How Video Works. From Broadcast to the Cloud. Third Edition. Focal Press, New York NY and Oxon 2016
Blain Brown: The Filmmaker’s Guide to Digital Imaging. For Cinematographers, Digital Imaging Technicians and Camera Assistants, Focal Press, New York NY and Oxon 2015
Paul Read: A Short History of Cinema Film Post-Production (1896–2006). In: Joachim Polzer (Hrsg.): Zur Geschichte des Filmkopierwerks (= «Weltwunder der Kinematographie. Beiträge zu einer Kulturgeschichte der Filmtechnik», 8). 2006
Dominic Case: Film Technology in Post Production. Second Edition. Focal Press, Oxford 2001
[Dominic Case: Filmtechnik in der Postproduktion. Das Kompendium. Zweitausendeins, Frankfurt a.M. 2004]
Long-Term Management and Storage of Digital Motion Picture Materials. A Digital Motion Picture Framework Project Case Study, Academy of Motion Picture Arts and Siences, Hollywood CA 2010
The Digital Dilemma 2. Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual Archives, Academy of Motion Picture Arts and Sciences, Hollywood CA 2012
The Digital Dilemma. Strategic Issues in Archiving and Accessing Digital Motion Picture Materials, Academy of Motion Picture Arts and Sciences, Hollywood CA 2007
Sam Kula: Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records. Lanham, MD: Scarecrow Press, 2003.
Ralph N. Sargent: Preserving the Moving Image. Corporation for Public Broadcasting and National Endowment for the Arts, Washington DC [1974].
Herbert Volkmann: Film Preservation. A Report of the Preservation Committee of the International Federation on Film Archives. National Film Archive, London 1965.
Ted Ling: Solid, Safe, Secure. Building Archives Repositories in Australia, National Archives of Australia, Canberra [1998].

Software

FFmpeg: «A complete, cross-platform solution to record, convert and stream audio and video.»
Website: ffmpeg.org
AEO-Light: «Soundtrack extraction from film scans»
Website: usc-imi.github.io/aeo-light/
VLC: Dieser Videoplayer sollte auf jedem Computer installiert sein!
Website: www.videolan.org/vlc/
QCTools: «Quality Control Tools for Video Preservation»
Website: bavc.org/preserve-media/preservation-tools
MediaInfo: Lesen der Metadaten
Website: mediaarea.net/en/MediaInfo
MediaConch: Prüfen der Dateiformate einer Sammlung
Website: mediaarea.net/MediaConch

Note

We no longer update external links on this page, but we try to remove any dead links.

2024-12-07