Conservation and Restoration of Moving Images

At the Hochschule der Künste Bern on 1–3 December 2021.

Kursunterlagen

Bibliografie

Unabdingbare Ressourcen

Identifikation von Filmen

Nützliche Ressourcen

  • Paul Read: A Short History of Cinema Film Post-Production (1896–2006). In: Joachim Polzer (Hrsg.): Zur Geschichte des Filmkopierwerks (= «Weltwunder der Kinematographie. Beiträge zu einer Kulturgeschichte der Filmtechnik», 8). 2006
  • Dominic Case: Film Technology in Post Production. Second Edition. Focal Press, Oxford 2001
    [Dominic Case: Filmtechnik in der Postproduktion. Das Kompendium. Zweitausendeins, Frankfurt a.M. 2004]
  • Long-Term Management and Storage of Digital Motion Picture Materials. A Digital Motion Picture Framework Project Case Study, Academy of Motion Picture Arts and Siences, Hollywood CA 2010
  • The Digital Dilemma 2. Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual Archives, Academy of Motion Picture Arts and Sciences, Hollywood CA 2012
  • The Digital Dilemma. Strategic Issues in Archiving and Accessing Digital Motion Picture Materials, Academy of Motion Picture Arts and Sciences, Hollywood CA 2007
  • Sam Kula: Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records. Lanham, MD: Scarecrow Press, 2003.
  • Ralph N. Sargent: Preserving the Moving Image. Corporation for Public Broadcasting and National Endowment for the Arts, Washington DC [1974].
  • Herbert Volkmann: Film Preservation. A Report of the Preservation Committee of the International Federation on Film Archives. National Film Archive, London 1965. [PDF, 18,6 MB]
  • Ted Ling: Solid, Safe, Secure. Building Archives Repositories in Australia, National Archives of Australia, Canberra [1998].

2021-12-03