Filmkonservierung und -restaurierung

Kursunterlagen

  • Die Erhaltung von Filmen [PDF, 50 KB]
  • Träger, Formate, Verfahren [PDF, 2.6 MB]
  • Tabelle der Träger (Kodak) [PDF, 30 KB]
  • Einführung zur analogen Filmkonservierung [PDF, 2.1 MB]
  • Analoge und/oder digitale Filmrestaurierung [PDF, 3.8 MB]
  • Lagerkonzepte für gemischte audiovisuelle Sammlungen in der Praxis [PDF, 1.4 MB]
  • Ein- und Auslagerung der Elemente [PDF, 66 KB]
  • On Audio-Visual File Formats [PDF, 1.9 MB]
  • Before Restoration [PDF, 1.5 MB]
  • LTO [PDF, 49 KB]
  • The Bright Side of Data Migration! [PDF, 1.2 MB]

Übungen

Bibliografie

Unabdingbare Ressourcen

Identifikation von Filmen

Nützliche Ressourcen

  • Reto Kromer: On the Bright Side of Data Migrations. In: IASA Journal, n. 49 (September 2018), IASA, p. 14–18
  • Reto Kromer: One File Format for Film and Video Archiving? In: Journal of Film Preservation, n. 96 (April 2017), FIAF, Brussels, Belgium, p. 41–45
  • Diana Weynand and Vance Piccin with Marcus Weise: How Video Works. From Broadcast to the Cloud. Third Edition. Focal Press, New York NY and Oxon 2016
  • Blain Brown: The Filmmaker’s Guide to Digital Imaging. For Cinematographers, Digital Imaging Technicians and Camera Assistants, Focal Press, New York NY and Oxon 2015
  • Paul Read: A Short History of Cinema Film Post-Production (1896–2006). In: Joachim Polzer (Hrsg.): Zur Geschichte des Filmkopierwerks (= «Weltwunder der Kinematographie. Beiträge zu einer Kulturgeschichte der Filmtechnik», 8). 2006
  • Dominic Case: Film Technology in Post Production. Second Edition. Focal Press, Oxford 2001
    [Dominic Case: Filmtechnik in der Postproduktion. Das Kompendium. Zweitausendeins, Frankfurt a.M. 2004]
  • Long-Term Management and Storage of Digital Motion Picture Materials. A Digital Motion Picture Framework Project Case Study, Academy of Motion Picture Arts and Siences, Hollywood CA 2010
  • The Digital Dilemma 2. Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual Archives, Academy of Motion Picture Arts and Sciences, Hollywood CA 2012
  • The Digital Dilemma. Strategic Issues in Archiving and Accessing Digital Motion Picture Materials, Academy of Motion Picture Arts and Sciences, Hollywood CA 2007
  • Sam Kula: Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records. Lanham, MD: Scarecrow Press, 2003.
  • Ralph N. Sargent: Preserving the Moving Image. Corporation for Public Broadcasting and National Endowment for the Arts, Washington DC [1974].
  • Herbert Volkmann: Film Preservation. A Report of the Preservation Committee of the International Federation on Film Archives. National Film Archive, London 1965.
  • Ted Ling: Solid, Safe, Secure. Building Archives Repositories in Australia, National Archives of Australia, Canberra [1998].

Software

FFmpeg
«A complete, cross-platform solution to record, convert and stream audio and video.»
Website: ffmpeg.org
AEO-Light
«Soundtrack extraction from film scans»
Website: usc-imi.github.io/aeo-light/
VLC
Dieser Videoplayer sollte auf jedem Computer installiert sein!
Website: www.videolan.org/vlc/
QCTools
«Quality Control Tools for Video Preservation»
Website: bavc.org/preserve-media/preservation-tools
MediaInfo
Lesen der Metadaten
Website: mediaarea.net/en/MediaInfo
MediaConch
Prüfen der Dateiformate einer Sammlung
Website: mediaarea.net/MediaConch

2018-12-14